
Flight of Fear
In 1952, British novelist, short-story writer and playwright Dame Daphne du Maurier published a collection of tales called The Apple Tree. Among the stories in that book is a novelette that envisions what would happen if birds suddenly started attacking people for no apparent reason. Set in
Two radio shows dramatized “The Birds: ”Lux Radio Theater in 1953 and Escape in 1954.
Then, esteemed director Alfred Hitchcock decided to produce a film loosely based on the story. In 1940, Hitchcock had won the Best Picture Oscar for a movie based on another du Maurier work, Rebecca.
Released in 1963, Hitchcock’s The Birds centers on wealthy socialite Melanie Daniels (Tippi Hedren, pictured above left) who develops an interest in handsome prosecutor Mitch Brenner (Rod Taylor) while stopping by a San Francisco pet store to pick up a bird. Intrigued, she ends up tracking Brenner to his mother's home in the rural fishing area of Bodega Bay. It's there where a seagull suddenly attacks Daniels. Brenner cares for her wound and their relationship develops as the bird attacks become more frequent and deadly.
Hedren's performance as Melanie Daniels made her an instant star of the Minnesota actress but she earned her fame in the demanding role. According to some accounts, Hedren was so traumatized by a week of filming while being attacked by live birds that she suffered from clinical shock.
The special effects in The Birds were startling at the time but are not up to today's standards. Still, the film features fine performances, a convincing atmosphere of peril, and an innovative ending that leaves in question whether or not the central conflict between men and birds is over. This open-ended finish would influence a generation of apocalyptic horror movies. The Birds also established a clear framework that has been repeated in many of the best modern fright films: everyday people caught up in extreme circumstances, fighting against incredible odds to preserve their lives, as well as their beliefs, values and sense of humanity.
Interestingly enough, Hitchcock considered using an alternate ending, in which the main characters arrive safely in
